Becoming a Better Writer

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go well

Amplify’d from the99percent.com

When George Plimpton asked Ernest Hemingway what the best training for an aspiring writer would be in a 1954 interview, Hem replied, "Let’s say that he should go out and hang himself because he finds that writing well is impossibly difficult. Then he should be cut down without mercy and forced by his own self to write as well as he can for the rest of his life. At least he will have the story of the hanging to commence with."

Today, writing well is more important than ever. Far from being the province of a select few as it was in Hemingway’s day, writing is a daily occupation for all of us -- in email, on blogs, and through social media. It is also a primary means for documenting, communicating, and refining our ideas. As essayist, programmer, and investor Paul Graham has written, "Writing doesn't just communicate ideas; it generates them. If you're bad at writing and don't like to do it, you'll miss out on most of the ideas writing would have generated." So what can we do to improve our writing short of hanging ourselves? Below, find 25 snippets of insight from some exceptional authors. While they are all focused on the craft of writing, most of these tips pertain to pushing forward creative projects of any kind.

1. PD James: On just sitting down and doing it…

Don't just plan to write—write. It is only by writing, not dreaming about it, that we develop our own style.

2. Steven Pressfield: On starting before you're ready…

[The] Resistance knows that the longer we noodle around "getting ready," the more time and opportunity we'll have to sabotage ourselves. Resistance loves it when we hesitate, when we over-prepare. The answer: plunge in.

3. Esther Freud: On finding your routine... Find your best time of the day for writing and write. Don't let anything else interfere. Afterwards it won't matter to you that the kitchen is a mess.

4. Zadie Smith: On unplugging...

Work on a computer that is disconnected from the internet.

5. Kurt Vonnegut: On finding a subject...

Find a subject you care about and which you in your heart feel others should care about. It is this genuine caring, and not your games with language, which will be the most compelling and seductive element in your style. I am not urging you to write a novel, by the way -- although I would not be sorry if you wrote one, provided you genuinely cared about something. A petition to the mayor about a pothole in front of your house or a love letter to the girl next door will do.

6. Maryn McKenna: On keeping your thoughts organized...

Find an organizational scheme for your notes and materials; keep up with it (if you are transcribing sound files or notebooks, don’t let yourself fall behind); and be faithful to it: Don’t obsess over an apparently better scheme that someone else has.  At some point during your work, someone will release what looks like a brilliant piece of software that will solve all your problems. Resist the urge to try it out, whatever it is, unless 1) it is endorsed by people whose working methods you already know to be like your own and 2) you know you can implement it quickly and easily without a lot of backfilling. Reworking organizational schemes is incredibly seductive and a massive timesuck.

7. Bill Wasik: On the importance of having an outline...

Hone your outline and then cling to it as a lifeline. You can adjust it in mid-stream, but don’t try to just write your way into a better structure: think about the right structure and then write to it. Your outline will get you through those periods when you can’t possibly imagine ever finishing the damn thing — at those times, your outline will let you see it as a sequence of manageable 1,000 word sections.

8. Joshua Wolf Shenk: On getting through that first draft...

Get through a draft as quickly as possible. Hard to know the shape of the thing until you have a draft. Literally, when I wrote the last page of my first draft of "Lincoln's Melancholy" I thought, Oh, shit, now I get the shape of this. But I had wasted years, literally years, writing and re-writing the first third to first half. The old writer’s rule applies: Have the courage to write badly.

9. Sarah Waters: On being disciplined...

Treat writing as a job. Be disciplined. Lots of writers get a bit OCD-ish about this. Graham Greene famously wrote 500 words a day. Jean Plaidy managed 5,000 before lunch, then spent the afternoon answering fan mail. My minimum is 1,000 words a day – which is sometimes easy to achieve, and is sometimes, frankly, like shitting a brick, but I will make myself stay at my desk until I've got there, because I know that by doing that I am inching the book forward. Those 1,000 words might well be rubbish – they often are. But then, it is always easier to return to rubbish words at a later date and make them better.

10. Jennifer Egan: On being willing to write badly...

[Be] willing to write really badly. It won't hurt you to do that. I think there is this fear of writing badly, something primal about it, like: "This bad stuff is coming out of me…" Forget it! Let it float away and the good stuff follows. For me, the bad beginning is just something to build on. It's no big deal. You have to give yourself permission to do that because you can't expect to write regularly and always write well. That's when people get into the habit of waiting for the good moments, and that is where I think writer's block comes from. Like: It's not happening. Well, maybe good writing isn't happening, but let some bad writing happen... When I was writing "The Keep," my writing was so terrible. It was God-awful. My working title for that first draft was, A Short Bad Novel. I thought: "How can I disappoint?" Read more at the99percent.com

 

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